A room of people all ages camped round the telly watching Patch Adams, grown-ups smiling at the whimsy, children ensconsed in the moving pictures. For the head of Saturday entertainment on BBC1, this image is for the wank-bank.
Patch Adams is a good analogy of BBC1 Saturday night viewing, in that it’s not very good. But gullible children and adults who should know better like it. Saturday night on BBC1 has an air of crapness to it, but what gets on my wick is that this crapness is purposefully emphasised to make it more family friendly. I hate this situation but no doubt is it there.
Dr. Who was such an alarming success it bred a spin-off and they were even contemplating doing another spin-off as well. It was aimed at getting son/daughter and father together on the sofa, watching something they both love i.e. Billy Piper. The suggestion is that the crapness (cheap sets, poor acting, rubbish scripts, poor acting, cheap sets) is excused by the father-he’s seen how bad it is but peers at his offspring’s saucer like eyes and excuses the crapness as whimsical-and not noticed by the dumb Tweenie-fiddling youngster.
And the BBC can channel all the other money on a huge and overblown hype campaign. For Dr. Who to be true to itself it has to look crap. This is one of the failings of outr retro society, we are incapable fo separating ourselves from contemporary technological innovations and find it hilarious that wobbly sets and poor dubbing ever existed without realising that a lot of it at the time was rather cutting edge. So Dr. Who gets made as poorly as possible, the crapness hailed as a tradition of Dr. Who and the-way-telly-should-be. I hate this sitaution. It demeans adults into believing that their children are so gullible they’ll be impressed by a green-painted Peter Kay and it demeans the children by saying that you’re so young you won’t notice the crapness. Youth is blind.
The kick-off of new series ‘Robin Hood’ is in the same vein as the very successful Dr. Who. Starring a nobody as Robin Hood, whose specialities include Flamenco and accents, and the arsehole Keith Allen as Sheriff of Nottingham, it has a much lusher colour to it compared to the Crystal-Maze-Industrial-Zoneness of Dr. Who. I managed to catch the first ten minutes in the pub but alas missed the rest, much to my great relief i am sure it will be repeated on BBC Three. It has the same air of whimsy as Lovejoy did, where you expect the protagonist to turn to camera at any point. Such zaniness i have come to expect from a tired format of family-friendly light comedy-dramas. I really don’t like them and i find it hard to see how it’s justified to keep Saturday nights in a time warp when mums made the tea and bananas were a delicacy. BBC1 needs to put natural world programmes on at peak time, get rid of all these stupid comedy-dramas and bring back Winning Lines. I aplogise for the amount of times i use crapness and whimsy in this blog.
